Bibliography - Pontormo

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----------., Painting and Experience in Fifteenth Century Italy, New York, 1988.

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----------., "Pontormo and the Influence of Northern Art in Sixteenth Century Italy," The Royal Society of Arts Journal, CXXX, 5314, 1982, 624-641.

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Cali, M., "La Madonna della Scala di Michelangelo il Savonarola e la crisi dell'umanesimo," Bollettino d'arte, LII, 1967, 152-166.

Campbell, M., "Mannerism, Italian Style," Essays on Mannerism in art and music, papers read at the West Chester State College Symposium on interdisciplinary studies, S. E. Murray and R. Weidner, ed., Nov. 18, 1978, 1-33.

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Cervigni, D., "Il 'Diario' Privacy, Concern and Estrangement in Pontormo's "diario" del Pontormo," Paragone, XXVIII, 1977, 116-128.

Chabod, F., Machiavelli and the Renaissance, New York, 1965.

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Chiarelli, C., G. Leoncini, La Certosa Del Galluzzo, Milan, 1982.

Ciletti, E., "On the Destruction of Pontormo's frescoes at San Lorenzo and the possibility that parts remain," Burlington Magazine, 1979, 765-769.

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----------., Florence in the Forgotten Centuries, 1527-1800, Chicago, 1973. 

Cole, B., Giotto and Florentine Painting, 1280-1375, New York, 1976.

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Cooper, F., "Jacopo Pontormo and Influences from the Renaissance Theatre," Art Bulletin, LV, 3, 1973, 374-392.

Cox-Rearick, J., The Drawings of Pontormo, Cambridge, 1964.

----------., "The Drawings of Pontormo: Addenda," Master Drawings, 8, 1971, 363-378.

----------., "Fra Bartolommeo's St. Mark Evangelist and St. Sebastian with an Angel," Mitteilungen des Kunsthistroischen Institutes in Florenz, XVIII, 3, 1974, 329-354.

----------., "Themes of Time and Rule at Poggio a Caiano: The Portico Frieze of Lorenzo il Magnifico," Mitteilungen des Kunsthistorischen Institutes in Florenz, 26, 1982, 42-68.

----------., Dynasty and Destiny in Medici Art, Princeton, 1984.

Cropper, E., "On Beautiful Women, Parmigianino, Petrarchismo and the Vernacular Style," Art Bulletin, LVIII, 3, 1976, 374-394.

Dobrick, J. A., "Botticelli's Sources: A Florentine Quattrocento Tradition and Ancient Sculpture," Apollo, CX, 210, 1979, 114-127.

Dunkelman, M., Donatello's Influence on Italian Renaissance Painting, New York, 1976.

----------., "Donatello's Influence on Mantegna's Early Narrative Scenes," Art Bulletin, LXVII, 2, 1980, 226-236.

Dvorak, M., "El Greco and Mannerism," Magazine of Art, 1953, 14-23.

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Francis, H., "The Museum's Collection of Engravings by Martin Schongauer," The Bulletin of the Cleveland Museum of Art, XXXIII, 1946, 185-186.

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Gilbert, C., "Texts and Contexts of the Medici Chapel," Art Quarterly, 34. 1971, 391-408.

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Gombrich, E., "Introduction: The Historical Background," The Renaissance and Mannerism: Acts of the Twentieth International Congress of the History of Art, Vol. 2, Princeton, 1963, 163-173.

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----------., "The Style all'antica: Imitation and Assimulation," Norm and Form, Chicago, 1985b, 122-128.


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----------., "Icones Symbolicae: Philosophies of Symbolism and their Bearing on Art," Symbolic Images, Chicago, 1985d, 123-196.

Gould, C., "On Dürer's Graphics and Italian Painting," Gazette Des Beaux-Arts, LXXV, 1970, 103-116.

Guicciardini, F., The History of Italy, tr. S. Alexander, New York, 1969.

Hale, J.R., Florence and the Medici, New York, 1986.

Hamburgh, H., "The Problem of Lo Spasimo of the Virgin in Cinquecento Paintings of the Descent from the Cross," Sixteenth Century Journal, XII, 4, Winter, 1981, 45-75.

Harbison, C., "Dürer and the Reformation: The problem of the Redating of the St. Philip Engraving," Art Bulletin, LVIII, 3, 1976, 369-373.

----------., "Some Artistic Anticipations of Theological Thought," Art Quarterly, II, 1, 1979, 67-89.

----------., "Discussion: Pontormo, Baldung and the Early Reformation," Art Bulletin, LXVI, 2, 1984, 324-    327.

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Hay, D., The Church in the Fifteenth Century, Cambridge, 1971.

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----------., ed., Analecta Carthusiana: Propago Sacri Ordinis Cathursiensis, Salzburg, 1982.

Hook, J., "Italy and the Counter-Reformation," History Today, XX, 11, 1970, 782-790.

Ivins, W., "Schongauer's Christ bearing the Cross," The Bulletin of the Metropolitan Museum of Art, XXX, 6, 1935, 127-128.

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----------., "Leonardo and the Visual Pyramid," The Journal of the Warburg Courtauld Institute, XL, 1977a,     128-149. 

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Klabunde, C., Martin Schongauer's Influence on Dürer's Woodcut Christ Bearing the Cross of 1509, University of Iowa, 1962.

Koch, R.A., "Martin Schongauer's Christ Bearing the Cross," Record of the Art Museum, Princeton, 1955, 2, XIV, 22-24.

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----------., Ghiberti's Bronze Doors, Princeton, 1971.
Kris, E., & O. Kurz, Legend, Myth and Magic in the Image of the Artist, New York, 1979.

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----------., "The Sources of Donatello's Pulpits in San Lorenzo, Revival and Freedom of Choice in the Early Renaissance," Art Bulletin, XLI, 1, 1959, 19-38.

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----------., Early Italian Engraving, Washington D.C., 1973.

Manca, J., "Ercole de'Roberti's Graganelli Chapel Frescoes: A Reconstruction and Analysis," Zeitschrift für Kunstgeschichte, 49, 1986, 157-164.

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Marrow, J.H. and A. Shestack, ed., Hans Baldung-Grien, Prints & Drawings, Washington D.C., 1981.

Martin, J.R., Baroque, New York, 1977.

Mayer, R., Pontormo's Diary, Out of London Press, 1985.
McComb, A., Agnolo Bronzino: His Life and Works, Cambridge, 1928.

McCorquodale, C. Bronzino, New York, 1981.

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McNally, R., "Pope Adrian VI (1522-1523) and Church Reform," Archivum Historiae Pontificae, Rome, 1969, 253-286.

Meiss, M., "A New Monumental Painting by Filippino Lippi," Art Bulletin, LI, 4, 1973, 479-494.
----------., The Painter's Choice, New York, 1976.

Meritt, H., "The Legend of St. Achatius: Bachiacco, Perino and Pontormo," Art Bulletin, LVIII, 1, 1976, 258-262.

Minott, C., Martin Schongauer, New York, 1971.

Moreno, I., "Pontormo's Passion Cycle at the Certosa del Galluzzo," Art Bulletin, LXIII, 2, 1981, 308-312.
----------., "Pontormo at the Certosa," Art Bulletin, LXIV, 1, 1982, 140.

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O'Malley, J. W., "Historical Thought and the Reform Crisis of the Early Sixteenth Century," Theological Studies, 28, 1967, 531-548.

----------., Giles of Viterbo on Church and Reform, Leiden, 1968.

Pächt, O., "The Limbourgs and Pisanello," Gazette des Beaux-Arts, LXII, 1963, 109-122.

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----------., Meaning in the Visual Arts, New York, 1955b.

----------., Studies in Iconography, New York, 1962.

----------., Idea: A Concept in Art Theory, Columbia, 1968.

----------., Early Netherlandish Painting, 2 Vols. New York, 1971.

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----------., Italian Gothic Sculpture, New York, 1985a.

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Weil-Garris Posner, K., "Raphael's Transfiguration and the Legacy of Leonardo,"Art Quarterly, XXXV, 4, 1972, 343-374. 

----------. "Comments on the Medici Chapel and Pontormo's Lunette at Poggio a Caiano," Burlington Magazine, CXI, 847, 1973, 641-649.

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----------., "Pontormo and Andrea del Sarto, 1513," Burlington Magazine, CIV, 1962a, 478ff.

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----------., "The Dead Christ by Rosso Fiorentino," The Museum of Fine Arts Bulletin, Boston, 1966, 148-172.

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----------., Michelangelo's Last Paintings, New York, 1975.

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----------., "Contrapposto: Style and Meaning in Renaissance Art," Art Bulletin, LIV, 2, 1977a, 335-361.

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----------., Public Life in Renaissance Florence, New York, 1980.

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----------., "Jan van Eyck and the Italians," Italian Studies, XI, 1956, 1-15.

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----------., "Pontormo's Early Style," Art Bulletin, XLVIII, 3, 1965, 345-353.